Finally – something about reads not eats.
Just finished 'Reading Like a Writer: A guide for people who love books and for those who want to write them' by Francine Prose.
This is a good read, even if you don’t want to be a writer. As opposed to the usual prescriptive and preachy ‘how to write fiction’ books, it draws heavily on examples of fine writing as a way of illustrating aspects of the craft.
Then at the end Prose devotes a chapter to how Chekhov taught her just about every bit of advice she has given writing students is wrong. So think for yourself.
The strength of the book is the high quality of the sample texts. I was pleased to read good bits from authors I know and to be introduced to writers I hadn’t heard of and now want to read.
The explanatory sections in between the samples were by and large interesting and instructive, though I admit I skimmed several parts that were explaining why a great excerpt was great because, well, I already got why by reading it!
Best of all, this book reminded me to slow down when I read and take closer notice of the language – the words, sentences, paragraphs, details. It's made me get more out of my reading.
And the final chapter, 'Reading for courage,' aptly reminds us it's not excessive tutelage but something greater which the best authors possess.
Just finished 'Reading Like a Writer: A guide for people who love books and for those who want to write them' by Francine Prose.
This is a good read, even if you don’t want to be a writer. As opposed to the usual prescriptive and preachy ‘how to write fiction’ books, it draws heavily on examples of fine writing as a way of illustrating aspects of the craft.
Then at the end Prose devotes a chapter to how Chekhov taught her just about every bit of advice she has given writing students is wrong. So think for yourself.
The strength of the book is the high quality of the sample texts. I was pleased to read good bits from authors I know and to be introduced to writers I hadn’t heard of and now want to read.
The explanatory sections in between the samples were by and large interesting and instructive, though I admit I skimmed several parts that were explaining why a great excerpt was great because, well, I already got why by reading it!
Best of all, this book reminded me to slow down when I read and take closer notice of the language – the words, sentences, paragraphs, details. It's made me get more out of my reading.
And the final chapter, 'Reading for courage,' aptly reminds us it's not excessive tutelage but something greater which the best authors possess.
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